I’ve been fascinated by the work of 20th Century Dutch artist M. C. Escher since I first encountered it in college. His impossible constructions and transformation tilings in particular drew my eye and brain as I tried to figure out how he was able to create them. Somewhere along the way I picked up this book but have only now, years later, gotten around to reading it.
The essays at the front include one by Escher himself, but the first one, by museum curator J. L. Locher is the most enlightening. It describes how the artist used mathematical principles (without getting deep into the math itself) to structure many of his works, and how he used ambiguous shades of gray to smoothly turn a floor into a wall or a ceiling in a work like “Relativity” or create the closed loop sta...Read More