creative writing tagged posts

Fatigue, A Stalled Book, and Art in the House

Oy veh. What a week the last few weeks have been. Stress levels haven’t been just through the roof, they’ve been somewhere out beyond the orbit of the Moon, so my body’s said, “OK, I’ve had enough of this fun.” Welcome to knock-you-flat-on-your-back fatigue. To quote the lyrics from the ’70’s rock band Spirit, “It’s nature’s way of telling you something’s wrong.” Boy, howdy.

That Stalled Book

I’d like to blame it all on the draft of book #3. Progress has come to a screeching, grinding halt. I shouldn’t be surprised: I knew, even as I was writing the second draft, that there were significant problems. Then my writers’ group found what they found, and my own read-through and analysis found even more.

OK, fine. I’ll interview my characters. That’s a technique that’s helped before...

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Book 3, Starting Draft 2

One of the things writer Anne Lamott is famous for is her advice, “Give yourself permission to write a shitty first draft.” To me that’s a kind of liberation theology for writers, but that’s a subject for another time. Today I’m going to continue to pull back the curtain on my writing process, at least as it relates to getting all the scenes in order for the second draft of this book.

So: “Give yourself permission….” Done.

“Write a shitty first draft.” Done.

OK, maybe “shitty” is a relative term, but while my read-through of the first draft got a “not bad” rating, as I wrote last time there were problems with the timeline, that is, the sequence of events in the plot. Timeline is especially critical for this book for two reasons.

  • One, it needs to end at a certain time of year in order to t...
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Book 3, Draft 1

Woman reading a book

Image courtesy of Marin / FreeDigitalPhotos.net

Last night I finished my first complete read-through of the first draft of book #3 (working title, Guardians, although I’m considering Wild Spread as an alternative). (No, that’s not me over there on the right. My ideal reader, maybe. At least her interest level looks right.) I’ve got almost 10 pages of hand-written notes of things to check, fix, delete, etc.

Overall verdict: not bad.

There are some scenes that are way out of position. There’s a place where one of my secondary characters chrysalizes, then a few chapters later appears again in her unchanged, original form, as if the chrysalization never happened. Oops. Well, that’s the sort of thing that happens in a first draft...

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Critique Groups: Saying Good-Bye

The Cochise Writers’ Group, which I co-founded with Cappy Hanson, has gone through phases of growth and contraction, as every group does. We’ve been as small as four members, and as large as 17! We hit that number about a year ago and it became obvious very quickly that if we didn’t do something, the group was going to be unmanageable. The first thing we did was close the group to new members.

Our only saving grace was that not everyone in the group was submitting work. A lot of the new members did initially, in that burst of enthusiasm that comes with being new at something, but that tapered off over the months. Now we’ve got about half a dozen members who submit work more or less regularly, and that makes things easier to handle, both from a critique standpoint and from a management one.

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Tucson Festival of Books, Day 2

Got home late from TFoB yesterday, so now I’m catching up.

Did I say yesterday there were crowds at the Festival? Let me show you.

TFoB crowds

Did I say there was food? (And crowds)

TFoB food

That’s just one side of one of the two food courts.

And there were panels. LOTS of panels. From one on the “first folio” printings of all of Shakespeare’s plays, to Kick-Ass Women of Sci-Fi, to Surviving the Future (panel below),

L-R: Austin Aslan, Paolo Bacigalupi, Charlie Jane Anders, Jonathan Maberry

L-R: Austin Aslan, Paolo Bacigalupi, Charlie Jane Anders, Jonathan Maberry

to Ask a Sci-Fi Editor, to My Hero Can Beat Up Your Hero (panel below).

My Hero panel

L-R: Paolo Bacigalupi, Greg Bear, Sam Sykes

Did I have a good time? Writer-pal Lisa Vogel and I did, even standing in line.

Lisa & Ross

Yeah, definitely going again next year.

Save

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2016 Tucson Festival of Books, Day 1

Day 1 of the 2016 Tucson Festival of Books is in, well, the books. (Sorry.) (Not really.) Hosted on the University of Arizona campus, it’s the fourth largest book fair in the entire country, and 99% of it is FREE! (Pictures tomorrow, I promise!)

Check out this (very) partial list of authors in attendance: Paolo Bacigalupi, Greg Bear, Terry Brooks (yes, the Sword of Shannara creator), Jared Diamond, Diana Gabaldon (yes, the Outlander creator), Tucson writer J. A. Jance, Jeff Mariotte, Sierra Vista’s own Yvonne Navarro and Weston Ochse, cartoonist Stephan Pastis (creator of the Pearls Before Swine strip), R. L. Stine (creator of the Goosebumps kids’ series), Chuck Wendig, and over 100 others...

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Writers’/Critique Groups: Right for Every Writer?

My writers’/critique group, the Cochise Writers’ Group, has been going through some changes lately and that’s gotten me thinking about critique groups in general: their puCritique grouprpose, size, makeup, and so on. This post starts an occasional series as I collect my thoughts and observations about them.

One of the most argued about questions in writer-dom is whether writers should join critique groups or not. There are some people who are absolutely certain they know what the right answer is for everyone. Multi-published author Dean Wesley Smith is death on writers’ groups. I guess he had a bad experience with one once, but if he did, that’s not a sufficient reason–not a reason at all, really–to declare all groups bad all the time for all writers.

Here’s the thing...

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Critique Technique Table of Contents

Here’s a Table of Contents of all of the Critique Technique posts to make it easier to go directly to the post you want to read.

Introductory Posts

Part 1 of Many

Part 4: Series Preview

Reader Response

Part 2: How Do You Feel?

Part 3: Authorial Intentions and Tracking Your Own Responses

Beginnings and Endings

Part 5: Weak or Missing Hook

Part 6: The Wrong Beginning

Part 7: Scene and Chapter Endings

Part 7b: More on Scene and Chapter Endings

Part 8: Story Endings

Characterization

Part 9: Characters and Conflict

Part 10: Poor Characterization

Part 11: Lack of Character Development

Part 12: Showing and Telling in Character Development

Part 13: Timing the Reveal

Part 14: Out-of-Character Behavior

Part 15: Unclear Character Goals

Part 16: Unclear or Insufficient Obstacles

Part 17: Dialect...

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Critique Technique, part 8: story endings

The End on dice

Photo by hisks via RGBStock.com

This post was originally posted on the Cochise Writers blog in May of 2013. Somehow in the process of transferring all of the Critique Technique articles from there to here, this one got skipped. So, without further ado….

To quote from Ogden Nash’s puckish poetry accompanying Camille Saint-Saëns’ Carnival of the Animals, “Now we reach the grand finale / Animale Carnivale…”

The story you’ve been reviewing has reached and passed its climax, its moment of greatest tension and conflict. The good guys have won—or not. The protagonist has survived, achieved whatever she set out to achieve (or maybe something different), or gained some new understanding—or not...

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Wool Review

By Ross B. Lampert

4.5-star rating dark blue background

Wool is the title of both the first novella and the first five stories in the Silo series, and the book which rocketed Hugh Howey to science fiction stardom. Deservedly so.

WARNING: There are spoilers in this review. I’ll put them in a different font so you can spot and skip them if you wish.

Wool is the story of a large, thoroughly developed community of people (hundreds if not a few thousand) who have lived for a long time in a 144 story deep underground silo. One of many, as it turns out, but the residents of Silo 18 don’t know that there are other silos until late in the story. Until then, only a select few even know that they’re “Silo 18.”

The silo culture is divided into dozens of functional groups: the Mechanicals live in the “down deep,” the lowe...

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